For young knights.
Great kings.
And everyone in between.

I accompany weddings, private celebrations, corporate events, trade fairs and other special occasions. The right combination of music, hosting or additional services depends on your event.

I am based in the Allgäu. From here I accompany events across southern Germany and, by arrangement, also in Austria, Switzerland and Italy.

Yes. Many events are built from a fitting combination, for example live music and DJ, ceremony and music, or hosting with musical accompaniment. In our first conversation we clarify what suits your programme.

After your enquiry, we talk about the occasion, schedule and your ideas. For booked events you receive access to your personal event portal, where arrangements, files, timeline and important details can be organised centrally.

For popular dates, an early enquiry is helpful. Short-notice bookings are possible if the date is still available. A non-binding enquiry quickly gives you clarity.

Events need room to move. Changes can be coordinated beforehand through the event portal and handled flexibly on the day. The important thing is a clear framework that still leaves space for the moment.

No. The medieval character is the frame, but much of the humour comes from the playful contrast between old language, modern situations and the people in the room. That makes the show work for medieval markets as well as weddings, corporate events, family celebrations and audiences who simply want something unusual.

In principle, from 0 to 99+. The humour can be hearty and playful, but it stays friendly and at eye level. Depending on the event, the programme can focus more on children, adults or a mixed audience.

The KinderRitterTurnier is an interactive theatre show for children, not an activity station. Children become the main characters of the story, while adults are also charmingly involved. This mix is what makes the format fun for the whole audience.

Yes, if there are enough children and an audience that supports the show. The format can work in smaller settings, but it remains a performance with a shared beginning, middle and end, not a walk-up station where children simply try things out.

Music, live vocals and comedy usually balance each other. The songs are often funny themselves, with spoken introductions, interaction and spontaneous moments around them. If the event needs a different focus, the balance can be adjusted.

Yes. Audience interaction is central to the show, both in stage programmes and in smaller formats. Guests may be brought into scenes, songs or playful tasks, always respectfully and with a wink. The goal is shared laughter, not embarrassing anyone.

Absolutely. Barde Barlhow can become a special surprise at a wedding party game, whether or not the wedding itself has a medieval theme. Music, comedy and guest participation create a moment that feels different from a typical wedding programme point.

Yes. The show works in a corner at a smaller celebration as well as on a proper stage in front of several hundred people. Stage size, timing, sound and content are adapted to the setting.

Yes. Length, content, references to the occasion, companies, people or themes can be adapted in advance. The result remains a live show with room for spontaneity, but it fits the event and the audience.